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Samuel Ricke

Requiem in D Minor, K. 626, V. Sanctus By W. A. Mozart

Samuel Ricke

1:29	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		17	44	5	6	92%
		20	0	5	4	100%
Basso		16	0	4	5	97%
Contrabasso		18	0	5	4	97%
Violoncello		20	0	5	4	92%
Fagotti		19	7	4	5	92%
Tenore		14	0	3	5	89%
Viola		23	0	6	5	89%
Alto		14	0	2	6	76%
Violino II		20	3	4	5	76%
Soprano		13	0	2	5	71%
Violino I		21	0	3	5	71%
Trombe in D		7	11	0	3	49%
Timpani in D, A		2	0	0	4	45%
Corni di Bassetto		10	0	1	4	43%
Trombone Alto		7	0	1	4	29%
Trombone Basso		13	0	4	3	29%
Trombone tenore		9	0	2	4	29%

Mozart: Symphony No. 40 in G Minor, K. 550: III. "Allegretto"

Samuel Ricke

4:41	Est. Play Time
88	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi.		22	19	7	4	79%
		22	23	7	4	86%
Flauto.		22	0	8	3	79%
Fagotti.		26	16	11	4	78%
Violino I.		22	0	7	4	75%
Contrabasso.		23	0	8	4	73%
Violoncello.		23	0	8	4	73%
Violino II.		26	2	7	4	73%
Viola.		20	3	6	3	67%
Clarinetti in B.		21	11	7	4	65%
Corni in G.		10	12	0	4	52%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
Bassi ed Organo.		22	1	8	5	100%
Contrabasso.		22	1	8	5	100%
Fagotto.		22	1	8	5	100%
Violino II.		29	0	10	8	100%
Violino I.		29	0	10	9	99%
Alto.		10	0	2	4	7%
		14	0	5	7	80%
Soprano.		16	0	5	9	76%
		6	0	1	4	4%
Trombone I.		13	0	4	7	74%
Basso.		3	0	1	3	4%
		17	0	7	8	73%
Tenore.		8	0	2	4	7%
		13	0	3	7	70%
Clarini in C.		8	8	1	6	70%
Trombone III.		17	0	7	8	67%
Trombone II.		13	0	3	7	64%
Trombe in C.		4	2	0	5	55%
Timpani in C.G.		3	0	0	5	49%

Requiem in D Minor, K. 626, VI. Benedictus By W. A. Mozart

Samuel Ricke

4:33	Est. Play Time
76	Measures
	2,218Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		24	0	8	4	100%
Organo		18	74	6	6	71%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		24	0	8	4	100%
Organo		18	74	6	6	71%
		28	0	7	5	99%
Viola		23	1	8	7	99%
Violino II		25	6	8	8	95%
Violino I		24	6	8	7	89%
Contrabasso		20	0	6	4	84%
Fagotti		26	0	7	6	84%
Corni di Basetto		21	0	6	9	78%
Tenore		14	0	4	6	76%
Alto		13	0	4	7	71%
Trombone tenore		16	0	3	6	68%
Soprano		14	0	4	9	67%
Trombone Alto		15	0	4	8	64%
Basso		19	0	6	6	59%
Trombe in B		8	8	0	4	27%
Trombone Basso		12	0	1	4	26%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	31	5	7	96%
		23	0	7	8	100%
Organo e Continuo.		23	0	7	7	100%
Violone.		23	0	7	8	100%
Basso.		19	0	6	5	97%
Tenore.		17	0	4	6	96%
Alto.		15	0	3	6	88%
Soprano.		17	0	4	6	85%
Violino I.		20	0	4	7	78%
Oboe.		17	0	3	7	76%
Viola.		22	0	5	7	76%
Violino II.		21	0	5	7	76%
Fagotto.		19	0	4	7	75%
Tromba I.		12	0	2	6	60%
Tromba II.		10	0	1	6	60%
Tromba III.		8	0	0	5	54%
Timpani.		2	0	0	5	50%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
Alto.		10	0	1	5	100%
Basso.		15	0	4	4	100%
Fagotti.		15	0	4	4	100%
Flauti traversi.		11	0	2	4	100%
Oboi.		11	0	2	4	100%
Organo e Continuo.		15	0	4	4	100%
Soprano.		11	0	2	4	100%
Tenore.		10	0	2	5	100%
Viola		10	0	2	6	100%
Violino I.		11	0	2	4	100%
Violino II.		10	0	1	5	100%
Violone.		15	0	4	4	100%

Mozart: Symphony No. 40 in G Minor, K. 550: IV. "Allegro Assai"

Samuel Ricke

9:04	Est. Play Time
312	Measures
	3,861Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
Violino II.		32	21	15	6	91%
Violoncello.		29	0	15	6	85%
Contrabasso.		27	0	15	6	83%
Fagotti.		30	55	18	6	80%
Oboi.		25	58	16	6	69%
		26	60	17	7	79%
Clarinetti in B.		24	52	9	7	77%
Flauto.		25	0	15	6	69%
Corno in B.		8	0	0	6	48%
Corno in G.		7	0	0	4	40%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"

Samuel Ricke

8:06	Est. Play Time
266	Measures
	3,616Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
Violoncello.		27	0	10	4	82%
Fagotti.		33	52	16	5	81%
Viola.		27	19	12	5	78%
Clarinetti in B.		24	48	7	5	77%
Basso.		27	0	10	4	76%
Flauto.		25	0	11	5	73%
Corni in Es.		13	20	3	5	71%
Trombe in Es.		7	8	0	5	50%
Timpani in Es.B.		2	0	0	4	42%

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